researchIn my practice and research I explore ways of using new technology in artistic contexts, with an emphasis on the development of interactive software for practicing musicians. My PhD work involved the creation of a number of computer-based musical instruments which used novel interaction strategies to facilitate creative, conversational approaches to music making. Since 2004 I have been part of the Creativity and Cognition Studios, an interdisciplinary research group working at the intersection of creativity and technology. I am interested in working with artists, musicians and technologists who have an interest in further exploring new approaches to creativity and interaction. Currently I'm working on further developing the musical interfaces that arose from my PhD. My approach is very much 'practice based', in that I work with musicians to create performance works - rather than working to develop 'instruments' in isolation. The process of creating these works allows us to explore the interactive possibilities between live performer and computer and to identify successful (and unsuccessful) strategies. The creative work is also a way of exploring creative interaction more broadly - including the creative practices of musicians. In other words, while technology and design is a significant component of the research, human creative practice is equally important. The videos below should help illustrate the relationship between creative work and interaction design in my work. |
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